Up to date information on the comings and goings in The Diefenbunker: Canada's Cold War Museum. Also a behind the scenes look at how the museum operates and how the museum team is working after our capacity expansion project to which grew our capacity from 60 to 420 in July 2010!
Showing posts with label special. Show all posts
Showing posts with label special. Show all posts

Cold War Cinema, Guest Curator: Les

Posted by Anonymous On 11:37

The new Spring 2011 Cold War Cinema schedule is unique and interesting in that it has been curated by Les, one of the many volunteer experts at the Diefenbunker. Les, retired from the Canadian Armed Forces after 35 years of service, has been a volunteer guide / interpreter at the Diefenbunker for several years and has often expressed an interest in the movies that we show. Having spoken up, he must now "put up", therefore he will shortly prepare a review on a few movies to entice you to visit the museum on a movie night, to have a tour of the bunker with him before the movie and then to see the movie(s) that he has proposed. At the end of the movie you will be invited to share your ideas on the movie with him and with the rest of the viewers. I have been kicking around 2 names for this program: "Les is More: Cold War Films and The Diefenbunker" versus "Les Talk and More Action: The Cold War and Hollywood". The reviews will be presented monthly and appear here on the DiefenBlog and in eFusion, the Diefenbunker monthly newsletter, so be sure to "stay tuned".  


Les says that as a Baby Boomer born and growing up in central Canada he was exposed to, and influenced by, the many TV, movie and print publications that often had as a focus the evils of communism and the fears that communism would be spread around the world by force and or through subterfuge. As a young child he was therefore familiar with the Korean War events, the Suez Crisis that could have expanded into a global conflict, the many failed revolutions in Eastern Europe as nations tried to overthrow their imposed communist governments, the white trails in the Canadian sky that reflected high flying military aircraft on training missions, the stories of spies betraying the West to the East, and the thrills and the fears of Sputnik as the Soviets appeared to be winning the space race and possibly the arms race. The newspapers seemed to be constantly full of some military conflict that could lead to a global war, a war upon which the West would depend upon nuclear weapons. Secrets about these weapons had to be kept, military forces had to be ready, and spies could not be tolerated.  


Les has chosen 3 very well made and deservedly discussed cold war films which also have very high entertainment value and production quality. Also, as a Cold War Cinema first, an online poll which will remain open right up until until 1 hour before the showing of the film on Volunteer Appreciation night, April 12, 2011 (see above). Now we can finally determine which film is more popular among Bunker fans: Hunt for Red October, Crimson Tide, Gorky park, or The Sum of all Fears.

So Thank you Les, for facilitating these cold war discussions and sharing your insights about how these films were both mirrors and products of the incredibly tense times in which they were created. "Les...Camera....Action!"

Cold War Memorial Day: November 9th, 2010

Posted by Anonymous On 14:51



Guerilla online magazine, retrieved Sept. 10, 2010


Monday, August 30, 2010



As splintering news and entertainment media grow increasingly desperate to catch our attention, irrational fear of foes—real or imagined, threatening from within or without—is now a prevailing characteristic of the collective psyche in the west.
University of Ottawa MFA student Edwin Janzen takes a nostalgic look at that fear with Guys in Caves, his thesis exhibition aptly located at The Diefenbunker, the Cold War bunker-turned-museum and historic edifice of nuclear war paranoia.

The exhibition opened August 13 but the vernissage is slated for Tuesday, August 31, from 5 to 8 p.m.
Janzen’s multi-media and multi-sensory exhibition includes four installations on various levels of the museum, consisting of plastic and neon signage, video, audio, and an olfactory component.
“The show is called Guys In Caves in reference to the imagined mountain lair of Osama bin Laden,” explains Janzen.  
“But we also live in a cave of sorts,” he continued, “a psychological and                     
ethical cave of our obsession with security in which we conjure up enemies for ourselves and hide away from the world.”
In the “Inferno” installation, a small, darkened office space features a suspended neon sign displaying the word “Inferno” amidst strong smells of stale cigarette butts and whiskey—aromas that Janzen associates with “the macho office culture of the Cold War era.”

Other installations consist of ordinary-looking office signage that incorporates words and phrases from the war on terror of the past decade. In “Adversary,” the artist shows six looped video pieces on the old, ceiling-mounted TV monitors that are themselves artifacts of the museum.

The show is not all doom and gloom, however. In one humorous installation, "Gauntlet," a musical track plays in a narrow corridor on the bunker's bottom level—the theme song to the 1960s spy spoof TV show, Get Smart.
Janzen’s previous work has focused on political, military and Cold War themes, and he deliberately pursued The Diefenbunker as the venue before creating the exhibition.

“The Diefenbunker represents an unmatchable opportunity to work site-specifically,” Janzen said. “In visiting the space, I sought to pay attention to what one might call the ‘vocabulary’ of the space: the furnishings, the signage, objects, fixtures, smells and sounds. So, in a sense, the bunker itself was my guide.”
Since becoming a museum, The Diefenbunker has welcomed many artists to either exhibiting their work in the facility, or use it as their inspiration.

“In the past, we have welcomed a diverse array of visual artists, including Lynne Cohen, Adrian Göllner, Jana Sterbak, Marcia Lea, and many more,” says Eric Espig, the museum’s programs and public relations manager.
“These kinds of artistic interactions with The Diefenbunker’s unique environment help to enrich the way in which the public experiences the Cold War and its huge impact upon our history and society.”

To that end, Janzen aims to “draw links between modern fears and Cold War fears,” he said. “The objects of these fears are different, but fear is fear—it's always the same … I've constructed the exhibition as a descent into the underworld, which is also a metaphorical descent into the human mind in a defensive posture.”
Guys in Caves is on exhibit until Thursday, September 30.


Full article and photographs may be found here: http://www.getguerilla.ca/g-gallery
photo by Irina Lyubchenko



Photography Tours in The Bunker

Posted by Anonymous On 11:37


Photo: Paul Galipeau 11/2009


Over the past month and some of the upcoming ones, photographers are documenting the popular areas of the Bunker as well as some of the hidden ones. The photographers are donating their valuable skills and artistic visions to help us build an anthology of striking and visually stunning photographs.  The goal is to curate from these photos an exhibition of Bunker Photography and publish them in a coffee table book of bunker history juxtaposed with artistic imagery.

So far the Bunker has hosted: Rémi Theriault, Paul Galipeau, David Forcier, and Pierre Richardson

You may view some of the sample/recon photos on their Flickr pages, and here is a link to the slideshow that David put together, Amazing!







Canada: from coast to coast to coast

Posted by Anonymous On 13:43

A videographer named Craig Urquhart has been traveling across Canada and gathering footage for 2 separate projects - one for CBC and the other for Korean TV. Craig and his crew are came to Ottawa last week and they’re hoping to feature the Diefenbunker on their program. The purpose of the new online/television show is to rediscover Canada from a foreign and insider perspective, from the Atlantic to the Arctic to the Pacific. Canada is seen as a continent-sized country. The focus will be on very unusual destinations, remote areas, urban life and the people and culture. There will be lots of interviews and events. Outdoor and urban life will both be emphasized. The program will air online on the CBC website as well as on Korean television.

We were very happy to accommodate the road weary yet enthusiastic crew and Les gave them an exclusive late night tour of the Bunker.