Guerilla online magazine, retrieved Sept. 10, 2010
Monday, August 30, 2010
As splintering news and entertainment media grow increasingly desperate to catch our attention, irrational fear of foes—real or imagined, threatening from within or without—is now a prevailing characteristic of the collective psyche in the west.
ethical cave of our obsession with security in which we conjure up enemies for ourselves and hide away from the world.”
Full article and photographs may be found here: http://www.getguerilla.ca/g-gallery
photo by Irina Lyubchenko
The Diefenbunker Museum wishes to thank the Government of Canada's Heritage Department through the Canadian Studies Program for their support of this project.
Approximately 1 hour in length, the audio/video tour is included in the price of admission and will also be available for download for use on visitors' personal media players and smart phones. 25 MP4 players are also available at the museum admissions in the former guard house to loan to self-guiding visitors.
CanX
Get your Doors Open Ottawa program guide in the Saturday, May 29 issue of the Ottawa Citizen. Copies are also available at all Bridgehead Coffee locations.
or simply download this PDF
Consistently ranked as one of the greatest films and the greatest comedy made, featured in June is the Stanley Kubrick classic about the string of all-to-possible errors leading to the third world war and global nuclear annihilation. Viewing this masterpiece inside of the Diefenbunker is an amazing and truly unique and surreal experience.
"Kubrick next chose to tackle the subject of nuclear annihilation. He began by researching the science and philosophy of nuclear war and optioning Red Alert, a serious dramatic novel by Peter George. Although Kubrick had long been personally terrified by the potential of an all-out nuclear war, he eventually turned his devilish sense of black humor on the project. Novelist Terry Southern turned the original story on its head and the film was renamed Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Shooting in black and white on a soundstage in England, Kubrick was in supreme command of the content and the visual style of the film. Production designer Ken Adam who had created the look for the James Bond film series, invented the circular-structured War Room and recreated the interior of the U.S. bomber cockpits without receiving official permission to examine the real thing. Based on intensive research in military magazines Adam brought realism to the outrageous comedy and imagination to the notion of a War Room used to plan global conflicts. Adam and Kubrick were so successful they even fooled President Ronald Reagan, who at the dawn of his first term, anxiously asked to tour the White House War Room which only existed in movieland."
Reserve early to ensure your spot at this popular event!
movie@diefenbunker.ca
IMDB rating 8.6/10
Tour at 6pm (optional)
Film at 7pm
PUNJABI
The launch of the new audio/video self-guided tour of the Diefenbunker is June 28, 2010. This will mark the first time in the history of the formerly top-secret bunker that the public will be granted unaccompanied access to the museum. The audio/video tour will be available free of charge via download from our website, download from our WiFi network on site, or you can borrow one of our MP4 players if you don't have a smart phone or iPod type device.
February saw the removal of the old equipment in the Fire Pump Room, and the installation of the new.
The new Fire pump controller incorporates a transfer switch allowing the generator to power the fire pump during a power failure and is a fraction the size of the old controller.
Some of the old piping in the pump room was tested and reused other sections were added to the museum collection.
The new Pump is 60 Horse Power and capable of pumping 500 US Gallons/ min at 130 PSI.
The years between 1948 and 1952 were significantly formative years of the Cold War. The North Atlantic Treaty Organization had been established, Mao Zedong had declared the establishment of the communist People’s Republic of China, the USSR had acquired nuclear capability, and the states of West Germany (Federal Republic of Germany) and East Germany (German Democratic Republic) were formally established and the winter of 1952 would bring with it the paranoia of McCarthyism.War had broken out over the political future of the Korean peninsula; pitting communists against capitalist states as the conflict escalated to involve the China and the West.
The Summer Games, held in Helsinki, Finland, were the first in which the tensions of the Cold War were strongly evident. The Soviet Union sent athletes to the competitions yet refused to house them in the Olympic Village. Instead, Soviet athletes were housed in an isolated and guarded facility near the Soviet naval base at Porkkala. Soviet Olympians traveled to and from events under escort and were kept wholly segregated from their peers. On both the east and west side of the Cold War divide, governements equated athletic successes and medal tallies with the superiority of their particular political system. American decathlete Bob Mathias is quoted as saying, “there were many more pressures on American athletes because of the Russians. . . . They were in a sense the real enemy. You just loved to beat 'em. You just had to beat 'em. . . . This feeling was strong down through the entire team.” This sentiment was echoed by Soviet officials and both sides sought to exploit the propaganda opportunities of the Olympic Games.
In 1949 Mao Zedong had declared the establishment of the People’s Republic of China; a communist state occupying mainland China. The nationalist Chinese, under the leadership of Chiang Kai Shek had gone into exile to the island of Formosa/Taiwan naming themselves the Republic of China. On July 20, the nationalist Chinese withdrew from the competitions on the grounds that the People’s Republic of China had been allowed to participate. The 1952 Summer Games in Helsinki may have been the first where Cold War conflicts truly shared the stage with international fellowship, but they certainly wouldn’t be the last.
We are pleased to present the first sampling of our Bunker Photography Series of photos. This series features the creative output of local professional photographers who have been invited to the bunker to attempt to visually capture the building, its contents and its atmosphere. Photographers are giving special permission to freely roam the Bunker and to choose how to interpret what they see. The end result of this program will yield the first exhibition and publication of artistic Bunker photography.
Daniel's work extends from Toronto - Ottawa - Montreal. His interest and ability to capture large architectural spaces, such as the Senate of Canada and bulky industrial machinery was welcomed to the Diefenbunker. His photos have given a new life to often photographed areas of the building. His professional work may be seen on his website found here:
By Matt Aubin (Diefenbunker Interpreter)
The Vancouver 2010 Olympics games are rapidly approaching, and for every month of this Olympic year, the DiefenBlog will feature a short piece about how the global conflict of the Cold War played out at various Olympic venues.
Chapter 5 of the Olympic Charter states that “no kind of demonstration of political, religious, or racial propaganda is permitted in the Olympic areas.” The Olympics are intended to be a celebration of sport and international cooperation that trumps politics and nationalist agendas. Unfortunately, throughout the Cold War era the Olympic Games were occasionally used as a political and ideological "battleground".
The first Olympic Games to follow the Second World War were held in the winter of 1948, in St. Moritz, Switzerland. The host country had been neutral throughout WWII, and Germany and Japan were not invited to participate by the international community for WWII aggressions. The games were a simple affair, the world was still recovering from the depletion of physical and economic resources incurred during the war. By 1948 the USSR had yet to participate in any modern Olympic Games and although invited to St. Moritz, USSR opted not to send any athletes. They did however, send observers to assess how well Soviet participants might have fared.
The Summer Games in London, England of the same year would be the first Olympics to highlight the post-WWII East-West divide. The Games were a frugal event. There was no new construction for the games, and athletes were housed in former barracks and college dormitories. Germany and Japan were excluded from these games as well, and the Soviet Union again opted not to participate despite being invited to do so. The London Games would be the first to feature a political defection over Cold War lines. Czechoslovakia, after only months of communist takeover, did send a team to London. Czechoslovakian gymnast Marie Provaznikova refused to return to her homeland after winning a gold medal citing: "A lack of freedom." Both the Winter and Summer Olympic Games of 1948 were undertaken with a spirit of renewal but given the potential uses of the Games as a stage for international propaganda, political undertones became obvious. The East-West divide of the Cold War would remain a defining characteristic of the Olympics 1948 until the collapse of the Soviet Union and the end of the Cold War.
Next month, as the Winter Games get underway in Vancouver, the DiefenBlog will feature a look at the 1952 winter Olympics, held in Oslo, Norway and the summer Games of Helsinki, Finland. The Helsinki Olympics were the first in which the Soviet Union fielded athletes.
The Capital Campaign has reached its goal of $1.65 million (CAD)!
Jim Watson, on the day of his announcement to step down as an Ontario MPP. to officially enter the City of Ottawa mayoral race, stopped by the Diefenbunker, along with MP Gordon O'Connor to make the announcement of their respective levels of government's further commitment to the Diefenbunker museum.
The additional contributions of $386,000 by the province of Ontario and $106,000 by the Federal Government mean that the museum has raised the necessary amount to cover the costs of the capacity expansion. The work to the museum, already underway, will be complete by the end of April 2010 and the new programs (including audio and self guided tours, new interactive experiences and multilingual accessibility) will launch on June 28, 2010.